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Orpheus and Eurydice By Sybil Grafin Schonfeldt

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Sales Rank: #2899620 in Books
Brand: Brand: J. Paul Getty Museum
Published on: 2001-03
Original language: English
Number of items: 1
Dimensions: 8.60" h x .30" w x 11.80" l, .78 pounds
Binding: Hardcover
32 pages

Features

Used Book in Good Condition

From School Library Journal

Gr 2-5-This Greek myth that descibes the love between a sweet-voiced hero and his beautiful wood nymph is one of the best-loved stories of all times. Orpheus, son of a muse and the god of music and poetry, falls in love with Eurydice. When she steps on a poisonous snake and dies, he is so grief stricken that he risks a trip to the Underworld to see his beloved. His songs are so poignant that Hades allows the lovers to leave with the warning that as Orpheus leads Eurydice away he must not turn around to look at her or she will be returned to the Underworld. Tragically, he does and Eurydice is lost to him forever. Sch”nfeldt's narrative is lyrical, but at times wordy. Ghiuselev's detailed full-page and spot-art illustrations filled with figures in classical poses, on the other hand, do a wonderful job of illustrating a complex tale.-Barbara Buckley, Rockville Centre Public Library, NY

From Booklist
Gr. 3-5. In this retelling of an ancient story that uses Greek rather than Roman names, the muse's son and a tree nymph fall in love only to be separated by death. Orpheus uses his gift of music to convince Hades to release Eurydice and promises not to look at her before reaching the upper world. Unable to keep that promise, he loses her forever. The story is poetically told, but its poignancy is somewhat diluted by Schonfeldt's decision to have Orpheus turn back because he's concerned about Eurydice, rather than leaving the rationale open or because the young man is simply unable to resist looking. Iassen Ghiuselev's illustrations are at once lifelike (each muscle and bone is visible in a hand) and artificial (oddly staring eyes), in keeping with the story's humanity and also its mythological roots. The colors, landscapes, and use of brown outlining are strongly reminiscent of Renaissance art, particularly that of Botticelli. A good choice for libraries needing to build their mythology sections. Susan Dove Lempke
Copyright © American Library Association. All rights reserved

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